brazil movie name
For nearly 20 years, Gilliam denied that Alverson had made any material contribution to the script. Lead Photo: 'Ventos de Agosto' still courtesy of … Sam retracts his refusal by speaking with Deputy Minister Mr Helpmann at a party hosted by Ida. The movie happens in a time and place that seem vaguely like our own, but with different graphics, hardware and politics. [74] Brazil also served as an inspiration for the film Sucker Punch (2011),[75] and has been recognised as an inspiration for writers and artists of the steampunk subculture. It is a 2002 Brazilian … "[59], In 2004, Total Film named Brazil the 20th-greatest British movie of all time. One day, shortly before Christmas, a fly becomes jammed in a teleprinter, misprinting a copy of an arrest warrant it was receiving resulting in the arrest and accidental death during interrogation of cobbler Archibald Buttle instead of renegade heating engineer and suspected terrorist Archibald Tuttle. The policy was championed by the opt… The low-budget films were themed about Brazilian reality (poverty, under-development, political issues, etc) which was a rare theme in Brazilian cinema until then. During the 1960s and early 1970s, Brazilian filmakers were inspired by Italian Neo-Realism and the French New Wave, having the motto “Hands on a camera and an idea in the mind”. Jill has been trying to help Mrs Buttle establish what happened to her husband, but her efforts have been obstructed by bureaucracy. Cidade de Deus (City of God) – 2002 – Fernando Meirelles and Katia Lund. The Imaginary homelands of the Fantastic Literature", stresses even further the importance that the soundtrack had upon the movie's plot and meaning. However, this "happy ending" is a delusion: in reality, he is still strapped to the chair. The title is a reference to a 1939 song “Aquarela do Brasil”, that’s often playing in the background and that Sam likes to hum. [62] The magazine also ranked the film No. In an interview with Salman Rushdie, Gilliam stated: Brazil came specifically from the time, from the approaching of 1984. 13 on their list of "The Top 50 Cult Films". Sam and Tuttle flee together, but Tuttle disappears amid a mass of scraps of paperwork from the destroyed building. Brazil's satire of technocracy, bureaucracy, hyper-surveillance, corporatism and state capitalism is reminiscent of George Orwell's 1949 novel Nineteen Eighty-Four[11][12][13] and has been called Kafkaesque[14] and absurdist. Now in 2010 once again we have lots of public at brazilian movies, with "Tropa de Elite 2" and "Nosso Lar". In Gilliam's words, his film was "the Nineteen Eighty-Four for 1984." Der Film wurde im Februar 1985 auf den Internationalen Filmfestspielen Berlin erstmals in Deutschland gezeigt. Geoff Muldaur uses the song as a leitmotif in the film, although other background music is also used. Critics and analysts have pointed out many similarities and differences between the two,[13] an example being that contrary to Winston Smith, Sam Lowry's spirit did not capitulate as he sank into complete catatonia. The packaging for the 1999 and 2006 three-disc box sets is identical in appearance, but the latter release is compatible with widescreen televisions. Marina Ruy Barbosa was born on June 30, 1995 in Rio de Janeiro, Rio de Janeiro, Brazil as Marina... 2. List of films cut over the director's opposition, "Dystopia and Science Fiction: Blade Runner, Brazil and Beyond", "50 Brilliant Science Fiction Movies That Everyone Should See At Least Once", "Brazil: five films that may have influenced Terry Gilliam's dystopian masterpiece", "Re-Viewed: Terry Gilliam's Prescient Sci-Fi Brazil", "1984 to Brazil: From the Pessimism of Reality to the Hope of Dreams", "Re-Viewed: Terry Gilliam's prescient sci-fi, "Salman Rushdie talks with Terry Gilliam", "Terry Gilliam blames internet for the breakdown in 'real relationships, "Interview: Terry Gilliam On 'The Zero Theorem,' Avoiding Facebook, 'Don Quixote' And His Upcoming Autobiography", "When the Dead Dream: Films Inspired by 'An Occurrence at Owl Creek Bridge, "Terry Gilliam and THE BIRTH OF BRAZIL (BBC, 1988)", "Pneumatic tubes: technological innovation and politics in Shepherd-era Washington DC", "Beyond the Golden Age: Film Noir Since the '50s", https://www.criterionchannel.com/videos/brazil-commentary, "A Utopian Dream Stood Still: Ricardo Bofill's Postmodern Parisian Housing Estate of Noisy-le-Grand", "From master narratives to simulacra: analysis of Orwell's 1984 and Terry Gillmam's Brazil", "Salman Rushdie's "The location of Brazil": the imaginary homelands of fantastic literature", "Terry Gilliam's Brazil: A Film Director's Quest for Artistic Integrity in a Moral Rights Vacuum", "Terry Gilliam's battle to release Brazil in US", "The Screen: 'Brazil', From Terry Gilliam", "The Sci-Fi 25: The Genre's Best Since 1982", "Welcome To Dystopia At Trinity's Cinestudio", "Effects Make Batman A Stylized, Dark Adventure", "Neil Marshall Explains What He Learned From The Films Of Terry Gilliam", "The age of steampunk Nostalgia meets the future, joined carefully with brass screws", "We Happy Few is a roller coaster of creepy vibes and eccentric humor", Wide Angle Closeup: The Terry Gilliam Files, And Now for Something Completely Different, Los Angeles Film Critics Association Award for Best Film, https://en.wikipedia.org/w/index.php?title=Brazil_(1985_film)&oldid=1018243529, Films with screenplays by Charles McKeown, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License. For the common movie goer, there has been a shift in perception towards Brazilian cinema as becoming more audience friendly. Sam approaches Jill, but she avoids giving him full details, worried the government will track her down. "[35] In the 1988 documentary The Birth of Brazil, Gilliam said that he always explained the film as taking place "everywhere in the 20th century, whatever that means, on the Los Angeles/Belfast border, whatever that means". [61] Entertainment Weekly listed Brazil as the sixth-best science-fiction piece of media released since 1982. We made a list of 10 Brazilian movies available on Netflix that everybody should watch: 1- City of God (original: Cidade de Deus) – 2002 – Fernando Meirelles. [25] Gilliam, McKeown, and Stoppard collaborated on further drafts. [13], Michael Atkinson of The Village Voice wrote, "Gilliam understood that all futuristic films end up quaintly evoking the naïve past in which they were made, and turned the principle into a coherent comic aesthetic. In 2017, a poll of 150 actors, directors, writers, producers, and critics for Time Out magazine saw it ranked the 24th best British film ever.[17]. [51] At one point, there were two editing teams working on the film, one without Gilliam's knowledge. [36] Pneumatic tubes are a frequent sight throughout the film. Sylvia Albertazzi in her article "Salman Rushdie's 'The location of Brazil'. Brazil ist ein dystopischer Spielfilm mit Elementen der Groteske und Schwarzen Komödie aus dem Jahr 1985 von Terry Gilliam, der zusammen mit Tom Stoppard und Charles McKeown auch das Drehbuch schrieb. For an alphabetical list of films currently on Wikipedia see Category:Brazilian films, Brazilian films by year on Portuguese Wikipedia, From the ’Famine Aesthetic’ to the ‘Favela-Pop’, List of Brazilian submissions for the Academy Award for Best Foreign Language Film, https://en.wikipedia.org/w/index.php?title=Lists_of_Brazilian_films&oldid=1000957400, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, This page was last edited on 17 January 2021, at 15:20. Brazil (1944 film), a film starring Tito Guízar and Virginia Bruce Brazil (1985 film), a film by Terry Gilliam Brasil (film), a 2002 short film by F. Javier Gutiérrez TV Brasil, a Brazilian TV network Ebert wrote positively of certain scenes, especially one in which "Sam moves into half an office and finds himself engaged in a tug-of-war over his desk with the man through the wall. Society is controlled by a monolithic organization, and citizens lead a life of paranoia and control. [37], The result is an anachronistic technology, "a view of what the 1980s might have looked like as viewed from the perspective of a 1940s filmmaker"[38] which has been dubbed "retro-futurism" by fellow filmmakers Jean-Pierre Jeunet and Marc Caro. A Blu-ray of the 132-minute US version of the movie was released in the US on 12 July 2011 by Universal Pictures. The ending of Neil Marshall's The Descent (2005) was greatly inspired by Brazil's, as Marshall explained in an interview: "The original ending for Brazil was a massive inspiration for the original ending of The Descent – the idea that someone can go insane on the outside, but inside they've found happiness. As Jack is about to start the torture, Tuttle and other members of the resistance break into the Ministry, shooting Jack, rescuing Sam, and blowing up the Ministry building. Having obtained Jill's records, Sam tracks her down before she can be arrested, then falsifies the records to indicate her death, allowing her to escape pursuit. The music took him away somehow and made the world seem less blue to him. [54] This prompted Universal to finally agree to release a modified 132-minute version supervised by Gilliam, in 1985. "[15] All three movies focus on these struggles and attempts to escape them through imagination—Time Bandits, through the eyes of a child, Brazil, through the eyes of a man in his thirties, and Munchausen, through the eyes of an elderly man. Tuttle repairs Sam's air conditioning, but when two Central Services workers, Spoor and Dowser, arrive, Sam has to fob them off to let Tuttle escape. IMDb’s rate: 8,6 . "[38] A number of reviewers also saw a distinct influence of German Expressionism, as the 1920s seminal, more nightmarish, predecessor to 1940s film noir, in general in how Gilliam made use of lighting and set designs. This is USA only box office from the Universal release, and does not include the 20th Century Fox release in the rest of the world. Tropa de Elite (Elite Squad) Tropa de Elite introduces us to the daily life of BOPE’s (Special Police … Movie Info. This was too late for either credit on the film or a listing on the failed Oscar nomination for Alverson; he has said that he would not have minded the Oscar nomination, even though he didn't think much of the script or the finished film. "[58], Roger Ebert was less enthusiastic in the Chicago Sun-Times, giving the film two out of four stars and claiming that it was "hard to follow". [69][70], The production design and lighting style of Tim Burton's Batman (1989) have been compared to Brazil. Gilliam developed the story and wrote the first draft of the screenplay with Charles Alverson, who was paid for his work but was ultimately uncredited in the final film. Unbeknownst to her, she is now considered a terrorist accomplice of Tuttle for attempting to report the wrongful arrest of Buttle. She works teaching cooking and he takes all of her money... See full summary » Director: Bruno Barreto | Stars: Sônia Braga, José … Gilliam sometimes refers to this film as the second in his "Trilogy of Imagination" films, starting with Time Bandits (1981) and ending with The Adventures of Baron Munchausen (1988). Brichos - A Floresta é Nossa: Paulo Munhoz: Traditional animation: Peixonauta - Agente Secreto da O.S.T.R.A. Bossa nova is also a well-known style of Brazilian music developed and popularized in the 1950s and 1960s. On Rotten Tomatoes, the film has a 98% rating based on 47 reviews with an average rating of 8.7/10. [39] A brief sequence towards the end, in which resistance fighters flee from government soldiers on the steps of the Ministry, pays homage to the Odessa Steps sequence in Sergei Eisenstein's Battleship Potemkin (1925). In a dystopian, polluted, over-consumerist, hyper-bureaucratic totalitarian future somewhere in the 20th century, Sam Lowry is a low-level government employee who frequently daydreams of himself as a winged warrior saving a damsel in distress. [40] The grotesque sets were based on George Grosz's paintings of 1920s Berlin. Thought police are likely to come crashing through the ceiling and … "[73], The highly technological aesthetics of Brazil inspired the set design of Max Cohen's apartment in the film Pi. Television shows of the Rede Globo network such as Casseta & Planeta and Os Normais have also received film versions and Globo Filmes, Globo's film production branch, has been behind many of the films that have come out over the years, often as a co-producer. Strangelove". The film centres on Sam Lowry, a low-ranking bureaucrat trying to find a woman who appears in his dreams while he is working in a mind-numbing job and living in a small apartment, set in a dystopian world in which there is an over-reliance on poorly maintained (and rather whimsical) machines. [34] It is a mixture of styles and production designs derived from Fritz Lang's films (particularly Metropolis and M) or film noir pictures starring Humphrey Bogart: "On the other hand, Sam's reality has a '40s noir feel. In the book _The Battle of … The phrase "bossa nova" means literally "new trend". The film was produced by Arnon Milchan's company Embassy International Pictures. [33] The tragicomic tone and philosophy of the film bear many resemblances to absurdist drama, a genre for which Brazil co-writer Tom Stoppard is widely acclaimed. When the first draft was published and original in-progress documents emerged from Alverson's files, however, Gilliam begrudgingly changed his story. [44][45], The numbering of form 27B/6, without which no work can be done by repairmen of the Department of Public Works, is an allusion to George Orwell's flat at 27B Canonbury Square, London (up six half-flights of stairs), where he lived while writing parts of Nineteen Eighty-Four. Gilliam recalls drawing the inspiration to use the song as follows:[49]. Revolves around the love between an immortal hero and Janaína, the woman he has been in love with for 600 years, through Brazil's colonization, slavery, military regime and the future, in 2096, in the midst of wars for water. The Most Beautiful Brazilian TV/Movies Actresses 1. I had this image of a man sitting there in this sordid beach with a portable radio, tuned in those strange escapist Latin songs like Brazil. Brazil has been released four times by The Criterion Collection, as a five-disc LaserDisc box set in 1996, a three-disc DVD box set in 1999 and 2006, a single-disc DVD in 2006, and a two-disc Blu-ray set in 2012. Brazilian films also allow you to learn about the culture and gain exposure to different regional accents and slang. Some sequences are shot to recall images of Humphrey Bogart on the hunt and one character (Harvey Lime) may be named as an homage to The Third Man's Harry Lime. The workers later return to demolish Sam's ducts and seize his apartment under the pretence of fixing the system. Giovanna Chaves is an actress, known for Exterminadores do Além (2021), Samantha! Uma História de Amor e Fúria (2013) Error: please try again. Unfortunately, that bastard Michael Radford did a version of 1984 and he called it 1984, so I was blown.[29]. Director: Walter Avancini | Stars: Tânia Alves, Aidil Araújo, Aguinaldo Batista, Márcia Cabral. [13], Sarah Street's British National Cinema (1997) describes the film as a "fantasy/satire on bureaucratic society", and John Scalzi's Rough Guide to Sci-Fi Movies (2005) describes it as a "dystopian satire". [66], Other films which have drawn inspiration from Brazil's cinematography, art design, and overall atmosphere include Jean-Pierre Jeunet's and Marc Caro's films Delicatessen (1991) and The City of Lost Children (1995),[67] Rocky Morton and Annabel Jankel's Super Mario Bros. (1993), the Coen brothers' The Hudsucker Proxy (1994),[68] and Alex Proyas' Dark City (1998). [42] In fact, over the years, the 14mm lens has become informally known as "The Gilliam" among filmmakers due to the director's frequent use of it since Brazil. In fact, the original title of Brazil was 1984 ½. Fellini was one of my great gods and it was 1984, so let’s put them together. [63], The film was nominated for two Academy Awards, for Best Original Screenplay and Best Art Direction (Norman Garwood, Maggie Gray). Nachfolger → Die Abenteuer des Baron Münchhausen Brazil ist ein dystopischer Spielfilm mit Elementen der Groteske und Schwarzen Komödie aus dem Jahr 1985 von Terry Gilliam, der zusammen mit Tom Stoppard und Charles McKeown auch das Drehbuch schrieb. It contains only that version of the film and no extra features. Except the single-disc version, all versions have the same special features: a 142-minute cut of the film (referred to by Gilliam as the "fifth and final cut"), Sheinberg's 94-minute "Love Conquers All" cut for syndicated television, and various galleries and featurettes. Estômago | Alternative title: Estômago - A Gastronomic Story (2007) Genre: Drama/ Comedy, 100 minutes Directed by: Marcos Jorge - Starring: João Miguel, Fabiula Nascimento and Babu Santana It was looming. Netflixeando: 15 Brazilian Movies You Should Stream on Netflix. Brazilian cinema is rich in themes, although many people think it is usually reduced to violence and poverty. The truth is that many directors are unable to make their work commercially available, a few can manage to go through the funnel, going beyond film festivals. Director Terry Gilliam as the smoking man at Shang-ri La Towers. By Manuel Betancourt. [46][47], Geoff Muldaur performed a version of Ary Barroso's most famous 1939 song "Aquarela do Brasil" ("Watercolor of Brazil", often simply called "Brazil" in English). Certainly BRAZIL is an enigmatic title for a movie that seems to have nothing to do with the country of Brazil. Marina Ruy Barbosa. In a small city of Brazil, a woman named Flor marries a man named Vadinho, but once married she finds that he is a good-for-nothing. Brazil was also importing a European way of life and culture. Sheinberg spoke publicly of his dispute with Gilliam in interviews and ran his own advertisement in Daily Variety offering to sell the film. After a lengthy delay with no sign of the film being released, Gilliam took out a full-page ad in the trade magazine Variety urging Sheinberg to release Brazil in its intended version. Sam reports a fault in his apartment's air conditioning. [15] Despite its title, the film is not about the country Brazil nor does it take place there; it is named after the recurrent theme song, Ary Barroso's "Aquarela do Brasil", known simply as "Brazil" to British audiences, as performed by Geoff Muldaur. Many of the drafts appear to have simply been titled "The Ministry." Bruce Krajewski, "Postmodernism, Allegory, and Hermeneutics in, This page was last edited on 17 April 2021, at 00:37. Guards disrupt the funeral, and Sam falls into the open casket and through a black void. A list of films produced in Brazil ordered by year and split onto separate pages by decade. Gilliam's original cut of the film is 142 minutes long and ends on a dark note. The lyrics are about a happy, dream-like life that starkly contrasts with the dystopic society on display in … It's named after one of the songs used in the film, "Brasil" by Ary Barroso. Goods were not the only thing being imported from abroad. I was reminded of a Chaplin film, Modern Times, and reminded, too, that in Chaplin economy and simplicity were virtues, not the enemy. Trivia: Brazilian movie based on a true story, also documented in the excellent documentary 'Ônibus 174' (2002). Brasil Animado: Mariana Caltabiano: Live-action/animated film: First Brazilian movie completely produced with 3D technology. It is neither East nor West, but could be Belgrade or Scunthorpe on a drizzly day in February. In 2013, Gilliam also called Brazil the first instalment of a dystopian satire trilogy it forms with 1995's 12 Monkeys and 2013's The Zero Theorem[30] (though he later denied having said this[31]). [43], Many of the film's exterior scenes are filmed in Les Espaces d'Abraxas in Noisy-le-Grand near Paris, a monumental apartment complex designed by Ricardo Bofill Taller de Arquitectura. [53] Gilliam conducted private screenings of Brazil (without the studio's approval) for film schools and local critics. Why is the film called "Brazil"? The 25 Best Brazilian Movies of All Time. Sam discovers Jill's records have been classified and the only way to access them is to be promoted to Information Retrieval. It is implied that he has been lobotomised by Jack. On the same night Universal's award contender Out of Africa premiered in New York, Brazil was awarded the Los Angeles Film Critics Association awards for "Best Picture", "Best Screenplay", and "Best Director". 28. Film Deutscher Titel Brazil Originaltitel Brazil Produktionsland Großbritannien … R | 2h 12min | Drama, Sci-Fi | 18 December 1985 (USA) 1:32 | Trailer. Opening a door, he passes through it and is surprised to find himself in a truck driven by Jill. Jack Mathews, a film critic and the author of The Battle of Brazil (1987), described the film as "satirizing the bureaucratic, largely dysfunctional industrial world that had been driving Gilliam crazy all his life". [15][55], On Rotten Tomatoes, the film has a 98% rating based on 47 reviews with an average rating of 8.7/10. The film also ranks at number 83 in Empire magazine's list of the 500 Greatest Films of All Time. Michael Kamen's arrangement and orchestration of Barroso's song for Terry Gilliam's Brazil (1984) made it more pliable to late 20th century tastes to the extent that film trailer composers often use it in contexts that have little to do with Brazil and more to do with Gilliam's dystopian vision. Posted on August 19, 2017 August 20, 2017 by Octavio Caruso. [41], The lighting and set design was coupled with Gilliam's trademark obsession for very wide lenses and tilted camera angles; going unusually wide for an audience used to mainstream Hollywood productions, Gilliam made the film's wide-angle shots with 14mm (Zeiss), 11mm, and 9.8mm (Kinoptik) lenses, the latter being a recent technological innovation at the time as one of the first lenses of that short a focal length that did not fish-eye. This movie portraits two suburban boys’ view about many aspects of organized crime in Cidade de Deus, a Brazilian community located in Rio de Janeiro. The two share a romantic night together, but are apprehended by the government at gunpoint. [22] Strong references exist to the overcomplicated humoristic machinery of British illustrator W. Heath Robinson, published between 1915 and 1942. He has previously turned down a promotion arranged by his mother, Ida, who is obsessed with the rejuvenating plastic surgery of cosmetic surgeon Dr Jaffe. In spite of the name, the style often has a fast and happy rhythm, characterized by virtuosity, improvisation, subtle modulations and full of syncopation and counterpoint. 1. She suggests "... the opening question 'where is Gilliam's Brazil? In 2006, Channel 4 voted Brazil one of the "50 Films to See Before You Die", shortly before its broadcast on FilmFour. Brazil is a 1985 dystopian[9] science fiction film[10] directed by Terry Gilliam and written by Gilliam, Charles McKeown, and Tom Stoppard. 2003 had theaters full of public watching national movies, motivated by the late 2002 success of "Cidade de Deus", the highest IMDB ranked brazilian movie. Television shows of the Rede Globo network such as Casseta & Planeta and Os Normais have also received film versions and Globo Filmes, Globo's film production branch, has been behind many of the films that have come out over the years, often as a co-producer. He lands in a street from his daydreams, and tries to escape police and monsters by climbing a pile of flex-ducts. Charged with treason for abusing his new position, Sam is restrained in a chair in a large, empty cylindrical room, to be tortured by his old friend, Jack Lint. On Metacritic, it has a score of 84 out of 100 based on 18 reviews, indicating "universal acclaim". 8. 02.01.18 at 2:37 pm . The film stars Jonathan Pryce and features Robert De Niro, Kim Greist, Michael Palin, Katherine Helmond, Bob Hoskins, and Ian Holm. Brazil was developed under the titles The Ministry and 1984 ½, the latter a nod not only to Orwell's original Nineteen Eighty-Four but also to 8½ directed by Federico Fellini; Gilliam often cites Fellini as one of the defining influences on his visual style. [60], Wired ranked Brazil number 5 in its list of the top 20 sci-fi movies. [48] Kamen, who scored the film, originally recorded "Brazil" with vocals by Kate Bush. But why, of all the retro references, is this one picked for the title? Director: Marcelo Gomes | Stars: João Miguel, Peter Ketnath, Madalena Accioly, Jeane Alves. [76][77][78], The dystopian premise of the 2018 video game We Happy Few was largely inspired by Brazil. One of the drafts of the screenplay was entitled _The Ministry of Torture, or Brazil, or How I Learned to Live with the System -- So Far_, and Gilliam also considered calling his screenplay 1984 1/2. The sun was going down and was very beautiful. The song is a musical ode to the Brazilian motherland. A bureaucrat in a dystopic society becomes an enemy of the state as he pursues the woman of his dreams. 2012: 31 minutos, la película: Álvaro Díaz and Pedro Peirano: Puppetry: Co-production with Chile and Spain. In 2005, Time film reviewers Richard Corliss and Richard Schickel included Brazil in an unordered list of the 100 best films of all time. [18] Realising that Sam has descended into blissful insanity, Jack and Mr Helpmann declare him a lost cause and leave the room. The saga of Severino, a poor guy living in the back country of Northeast Brazil, leaving for the big city of Recife, in search of a better life. At the beginning of the Brazilian Republic (1889), Brazil was in a classic dependence situation: great exporter of agricultural products and at the same time, greatly dependent on importation of manufactured goods. [64], According to Gilliam in an interview with Clive James in his online programme Talking in the Library, Brazil is – to his surprise – apparently a favourite film of the far right in America.[65]. During the period that Rio de Janeirowas the capital of Brazil, it was a target of a new urbanization and modernization through government policy. "[34] In the second version of the script, Gilliam and Alverson described the film's setting like this: "It is neither future nor past, and yet a bit of each. Gilliam has stated that Brazil was inspired by George Orwell's Nineteen Eighty-Four—which he has admitted never having read[22]—but is written from a contemporary perspective rather than looking to the future as Orwell did. The North East of Brazil inspired the set design of Max Cohen 's apartment in the book _The of! Very beautiful Anton Furst studied Brazil as marina... 2 usually reduced to violence poverty. For the common movie goer, there has been lobotomised by Jack ) Samantha... Been a shift in perception towards Brazilian cinema is rich in themes, although other background is! In appearance, but could be Belgrade or Scunthorpe on a drizzly day in February opening door! 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