Bossa nova is a style of Brazilian music that originated in the late 1950s. Paul and Kathy’s Picks: Yamandu Costa . Saudação Musical Especial: Yamandu Costa no Fronteiras do Pensamento Porto Alegre 2012. This film focused on the genre of choro, a musical style that grew from a rich blend of influences, including lyrical songs from Portugal known as modinhas, the African rhythms of the lundu and 19th-century European dances such as waltzes and polkas.
Costa burst onto the world stage thanks to the movie The Sound of Rio: Brasilerinho (2005), made by Finnish director Mika Kaurismäki. Traditionally the steel string version of this instrument is featured in choro ensembles while the nylon string version is a later development and is well suited to solo playing. His commitment to producing videos, recordings, documentaries, and even his own app, makes his output easily accessible. Ahead of Brazilian guitarist Yamandu Costa’s performance at the Melbourne Conservatorium next month, Head of Guitar Dr Ken Murray takes us on a whistle-stop tour of Costa’s work. The video below, meanwhile – a recent performance at the 2019 Latin Grammy Awards – demonstrates Costa’s compositional talents. The music and culture of this region and neighbouring Argentina forms an integral part of his musical identity and distinguishes Costa from other Brazilian musicians. Saudação Musical Especial: Yamandu Costa no Fronteiras do Pensamento Porto Alegre 2012. The following video – Concerto by Cunha for seven-string guitar and orchestra – is tailor-made for Costa and a very effective vehicle for his talents. Aqui eis uma versão inédita, na qual Elodie toca uma voz escrita pelo próprio Marco, e o Yamandu, fez um violão improvisado, como é do seu costume.Música: Bate CoxaCompositor: Marco PereiraViolão: Will HammAudio e Video: Gil CostaFacebook: https://www.facebook.com/yamandu.cost...Instagram: @yamandu.costa.oficialInstale o aplicativo Yamandu Costa em seu celularIOS:https://goo.gl/4t1dCw Android: https://goo.gl/31g1Ny In South America he is famous for his deep knowledge of musical styles and traditions, but his influence – informed by his sheer depth of feeling, audacity and virtuosity – resonates strongly around the world.
Yamandu Costa will perform in Melbourne on 4 August 2019 as part of the Melbourne Conservatorium of Music’s Guitar Perspectives Winter Celebration. In his interpretation of this song, Costa pulls out all the stops and combines virtuoso playing with whistling, percussion, improvisation and a variety of strumming techniques. For his Melbourne concert on 4 August, Costa will be joined onstage by his wife Elodie Bouny for duo performances of guitar pieces by Antonio Lauro, Agustin Barrios, Marco Pereira, and his own works. Berceuse pour Mathis is a lullaby that Yamandu Costa composed extemporaneously, when he met Mathis in France, a godson child of his wife. Yamandu Costa is one of the most remarkable and influential guitarists in the world today. Costa has an encyclopaedic knowledge of Brazilian music, and this extends to the repertoire of composers such as Heitor Villa Lobos (1887–1959) and Radamés Gnattali (1906–1988). His talents and virtuosity are recognised and celebrated worldwide. It has its roots on samba but features less percussion, employing instead a distinctive and percussive guitar pattern. Costa was born in 1980 in the southern Brazilian state of Rio Grande do Sul. There is a strong tradition in Brazilian music of cross-fertilisation between popular music and music for the concert hall, and Costa embraces the possibilities of this exchange.