Miss Universe doesn’t really need the concept-album framework, with its satirical interstitial muzak from the supposedly caring corporation Wway Health. ‘It’s Not Up To You’ would be a smart addition.

They’re a band who mastered many worlds, and ‘Substance’ captures it all. A subtly defiant assertion that Del Rey is here for the long haul, no matter what. What makes this list different is that it compiles and aggregates data from other best of lists, including both critics lists such as Rolling Stone’s 500 Greatest Albums books and fan polls such as Q magazine’s 100 Greatest Albums Ever poll. The quavering, circuitous voice of British jazz-dub songwriter James Blake is still a beautiful instrument, and his arrangements are as atmospheric as ever here. feel less like a history lesson and more like a glimpse into a beloved photo album. The week after the late Petty’s recent death, ‘Greatest Hits’ went back to #2 in the US Billboard 200. Clattering together her finest pre-2000 moments might seem foolish, but ‘Greatest Hits’ is a fan-approved triumph. The goal of this list to find not only the greatest albums of all time but also the most influential and culturally significant albums as well, so in addition to just the opinions of critics and fans to compile the list other metrics where used as well such as Billboard chart statistics, RIAA sales figures and several others to help determine the final rankings of the best albums. Music is filled with no shortage of characters proclaiming how “mad, me” they are, so it’s rare and delightful to come across a genuine oddball. ‘The Sound Of The Smiths’, sanctioned by the band and remastered with Johnny Marr, is a comprehensive overview of the band’s genius, with the most iconic versions (‘What Difference Does It Make’ is taken from a John Peel session) rubbing shoulders with only the finest album cuts. Big omission: ‘The Seeker’ would make this perfect. What makes it so great? Pop in 2019 has been all about spontaneity, whether that’s the off-the-cuff language that’s crept into the biggest pop hits or the intensifying feedback loop between pop and TikTok. The Smiths were fond of compilations when they were a functioning band, releasing three (‘Hatful of Hollow, ‘The World Won’t Listen’, ‘Louder Than Bombs’) in-between their four iconic studio albums. LS Read the full review. It’s adventurous, beautifully crafted, devoid of filler, packed not just with hooks but finely wrought sonic details. While that warmth glows through Shepherd in a Sheepskin Vest, Callahan’s understanding of his inherent masculine violence, and his way with lucid profundity, means his domestic treatise was never cloying. There are spectral strings and synths, bells, electronics, a smattering of piano notes. Though the band had some worthwhile albums in the ‘70s (‘Surf’s Up’, ‘Holland’), ‘20 Golden Greats’ is a crisp collection of the surf-pop that made them America’s darlings in the ’60s.